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Interview with Horror Author Jack Pierce

I recently came across an interesting character online who I have decided to write some articles on because I find him utterly fascinating. Jack Pierce (one of several names he goes by) is a fiction writer of a high caliber. This man writes fiction so fluently its practically his first and most profound language of communication. Some would call him a pathological liar, but I feel those people miss the forest for the trees. I'm starting with an interview I had with him, which despite it being chock full of lies and misinformation and deception, I will present it unedited except for grammar and formatting. In a follow up article I will start peeling back the layers of fiction with facts and receipts to show you why Jack Pierce may very well be the most profound fiction writer of our time.

For some brief context that will be further explained in follow up articles, Jack removed co-writer credits from someone named Lotus Token who did ghostwriting and editing for Jacks books. After several falling outs and online slap fights with this person and their friends and brother, Jack removed all mention from his books that he was still selling, aka Plagiarism. Speaking of plagiarism, full credit to Max Sand and Lotus Token for introducing me to Jack and providing me lots of information, lore, and receipts to prove Jack has a habit of making things up and outright lying.

Enjoy the Q&A.

GA=Genius Anus
JP=Jack Pierce

GA: Did you really have an editor?
JP: Yes.

GA: Did you have an arrangement to credit your editor?
JP: No

GA: Did you remove the editors credit?
JP: No.

GA: Was there a written agreement?
JP: No.

GA: Did you have publishing deals?
JP: Depends on time period and what you define but I do have contracts with my audiobook producers.

GA: Where are the contracts?
JP: Ask the people on Audible for those. Nobody else got contracts written. The Audible deals are 7 year contracts at 20% commission per copy on audible sold. Audible takes 60%. I get 20%, the reader gets the other 20%.

GA: What are the sales numbers on your many books, like top three or five?
JP: As for copies sold total I don't know. All of them sold at least 2k a piece. Highest one was 10k.

GA: Do you have more books in the work?
JP: Yes. I have about 5 other WIP going right now. The main one is a sequel to 'The Snow White Murders' called 'See No Evil'. 'Slash' is also getting a sequel called 'ICU'.

GA: Ok to specify on publishing deals, have you ever had a written contract with a publishing house such as Penguin?
JP: We are working on the details now. I have a literary agent who is talking to them but the documents haven't gotten signed yet. I have to let my lawyer review them so I don't get screwed for being a first time author on a big publishing label instead of a publisher I had a stake in financially.

GA: Has any of the online stuff ever influenced your work?
JP: Kinda sorta, not really. The only book that remotely would remotely check that box is 'Kay is Away' which has been unpublished. I guess 'Nuke Your Brain' and 'Rat race' were inspired on some level even though, fiction wise, not that I can recall. I don't really write techno thrillers.

GA: So never inserted someone you liked or despised as a character or reworked a scenario?
JP: You are asking me about 15 books. I can barely remember what the fuck the main characters names are in pretty much 13 of the 15. Well let me step back, Ralph was inspiration for a character in 'Slash'. That's the only direct inspiration and that was mainly because chat thought it would be funny to add Ralph in the book since it was a meta slasher story akin to 'Scream'. Otherwise none that I can think of. Chief Lewis in 'Second Sight' was vaguely based off my dickhead ex-boss at Microsoft in 2016. Star from 'Second Sight' was based on an amalgamation of like 5 different woman I knew; not a direct insert.

GA: I've read somewhere that at one point you did a reddit AMA for one of your books. Have you, and also have you done any other slimier PR events for your books?
JP: I was on tour last year. I did I believe 40-50 podcast appearances last summer and it was brutal. Don't know how many were posted but it was a really intense tour. Like I was doing 2-3 interviews a day sometimes for all sorts of different shows. I might have done more than 50 I can't remember, it was like 10 shows a week if not more at one point. I'd jump out of zoom calls into a zencast call, then skype, then this guy over here from Malaysia, or this guy on discord, it was just psychotic. I have no idea how many or who, but you can find them out there. I also did a text interview for promotehorror(dot) com.

GA: I noticed some of your books have alternate covers and reprints, whats the story behind that?
JP: Some books performed poorly when they were first released so it was experimentation to see what stuck and some worked some didn't. Some still don't. It's standard practice though in the industry to have many different book covers and print shapes; like Stephen King's 'It' has had like 15 different covers or more, plus its been in the 8x11 hardcover, 5x8 mass market paperback, just crazy. So it's normal. Books aren't like music albums that just keep the same cover, they change frequently.

GA: Do you have different edits as well? Such as abridged vs unabridged, or adding an anniversary forward?
JP: No; not at this time. I've considered doing that for 'Second Sight' but it wouldn't be fair to the people who already paid and love that book. I don't want to add something or subtract something that would ruin their fond memories of that story. There have been some updates if that's the question. Yes I've had my new editor, who shall not be named, a wonderful girl who is a grad student and is very good at her job as my editor and she's going through all the books now to do updates and corrections, because no matter how many line edits you do for a book, it'll never be perfect. I don't expect perfection, but she's very good and is the reason 'Slash' was able to come out. God bless that woman, she's a life saver. Before you ask yes she is paid. I pay her a fair wage and she's happy with that arrangement. We do have contracts per book written up and agreed on both ends; not a verbal deal.

GA: Have you ever done a book start to finish without an editor? If so how did it go? Would you say it was a noticeable improvement, or that it helped your writing process?
JP: In the beginning I had no editor. Grammarly, prowritingaid, google docs spell check, word online, all used, plus a TTS to go line by line to listen and adjust. There was no outside editor until 'Slash', which was my newest full length novel, 'Truth or die' was also handled by the editor but that's a short story. So the answer is for most of my writing career, it's been in house until I hired an editor because I could afford one on the payroll. It was very difficult and it kept 'Dreamer' and “Snow White Murders' on the shelf for almost 2 years because I flat out did not want to go through the absolute torture that is editing a novel. It's a horrendous job and I gladly pay over a grand to have someone else deal with that slog since I can afford that kind of deal now. It was horrible, it's the reason why so many books are unpublished is I said “I don't feel like editing this shit”, and I'd quit for a few months. Noticeable improvements not really, I still check everything after she's done with the editing just to make absolutely sure since I'm very stubborn and demanding as a boss. It has helped in the fact that I feel more free to write something and not worry about “oh fuck I have edit 450 pages fuck this book”; so it gives me more freedom.

GA: So I was looking through the covers for your books, some of which are pretty awesome. Who does your cover art?
JP: For the most part it was random people on Fiver, then I started making them myself. All the ones you see now are made by me. The 'NukeYour Brain' and 'Kay is Away' covers were done by a 3rd party, the rest were mine.

GA: So it was one time work for hire? And then I'm assuming that also is one of the reasons for alternate covers and reprints, to swap out cover art?
JP: It was a one time hire per cover. Sometimes with the same artist, sometimes not. I can't remember the names of the sellers but I'm sure if someone pressed me on it I could go find the order forms. But they were paid, up front, no issues on either end.

GA: Did you decide to reprint and then do the new covers as an afterthought to differentiate them?
JP: The reprints were due to sales slowing down. Sales go down, you make a new cover, sales usually go up again. Sometimes you just see a cover and realize it could be better or you just don't like that branding anymore. Same product, different graphic.

GA: Did your current editor work on any of the reprints or was she hired after?
JP: She was hired right when 'Slash' was in it's finishing stages. Which was around the time I went on hiatus and wrote 'Truth or Die'. So she's currently working on reprints.

GA: Is she the second person listed on some of the covers or is that the artist who did the cover art? A “Lotus Token”? I swear I've seen that name somewhere but can't place them, do they write books too? Or have they worked with other writers in the genre?
JP: The artist is not credit, nor did they ask for credit. Lotus Token, AKA Maxx Sand with 2X's, is a wonderful author. He's a good writer who hasn't published anything on his own. It's a shame he hasn't because he's a talented guy and I hope he becomes a big shot one day with one of his great ideas. He had two books in the works, one called 'Chased' and one called 'The Bunker', or something like that. Good writer, good mind on him when he wants to use it for good things. We have some personal and legal issues going on that I can't really discuss, but for the record he was a beta reader of mine. That's the industry term for what he did, which is a person who reads your book and gives feedback before it's published. They are never credited or paid, or contracted. It's an informal thing that I have many of now. He asked me not to put his name on the stuff, he wanted to be an anonymous figure in the book's publishing. In past printings I did add his pen name 'James Kross' as an acknowledgment and if I recall correctly, it's still there. That's more than most authors would give to a beta reader, which usually get nothing. I granted him that wish of him being the anonymous person who has no public appearance because he didn't want to be a public figure who did interviews, podcasts, etc to promote the books. I am fine with that, I hope he is doing well, living his best life, and I'm excited to read his upcoming work when he publishes it under whatever pen name he chooses.

[GA shows JP 2 pictures of his book covers with 'Lotus Token' prominently displayed as co-author]

JP: I understand that; that was a mistake on the covers. He was a beta reader. If you look up the term “beta reader”, that's what he did. I have nothing else to say about the Lotus token question because that's currently a legal topic. But for the record he was a beta reader. He never edited a line of any of the books, nor did he do any cover art. He was a beta reader. I gave him a credit on the cover because he was my friend, and I thought him giving my work a chance was worth having an extra name on the cover at the time. Next topic.

GA: Not to go into the legal stuff for obvious reasons, but just as general clarification is the legal matter pertaining to any of the books or is it separate from the writing?
JP: If I ever did claim he was my editor it was a typo or a mistake on my part due to ignorance of the term beta reader until later in life. That's a question I can't answer, sorry.

GA: Fair enough.
JP: There's nothing wrong with being a beta reader, it's literally the game tester of the book industry. They are very valuable and finding one with any damn sense is amazing. I give Maxx all the credit in the world for being great at that particular job. I don't fault him at all. He's just not an editor because that's not what he did. He never did actual you know, copy editing, or all that English teacher shit. He has a good mind, and his feedback was invaluable to my early writing career. I will give him all the credit in the world for him being a damn good beta reader who knew the market and insured the success of the early titles by giving his opinions. I truly mean that. He's the best beta reader a horror author could ask for because he knows what works and what doesn't. Next topic.

GA: Did you ever credit any beta readers in the acknowledgments section or marketing material for your books?
JP: No. Well, directly? I did name James Kross, the name I picked for him that I felt would work for his solo ventures to give him some credit so hopefully when someone bought a Jack Pierce Book they might think “hmmmm who is that James Kross guy. Let's see if he wrote a book.”, and that's what I did. But industry standard as far as I know, nobody every names or even acknowledges the beta readers. I always put in the authors note a thank you “to my fans and friends who make these books possible”.

As you might be able to tell when I bring up Lotus Token, Jack got very aggressively defensive and began trying muddy the water and throw me off by using industry jargon such as "beta reader" as a way to bury the lead. I am genuinely fascinated by Jack, and I might dare to call myself a fan of his. I have no idea how good his books are, but the amount of fiction he writes in his web of lies and deceit is actually quite impressive. If he can write fiction as compelling as this interview was factually incorrect he might one day rival Stephen King in his prose. For the record 'prose' is writing jargon, here is a brief definition from wikipedia in case you have no idea what it is.

"Prose is a form of written or spoken language that typically exhibits a natural flow of speech and grammatical structure. A related narrative device is the stream of consciousness, which also flows naturally but is not concerned with syntax."

Anyways, soon I will release a follow up article further exploring this interview and debunking its biggest fictions, as well as Jack and his writing career. For now I hope you have been entertained and/or informed.

Castigat Ridendo Mores

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'The Unbearable Weight of Massive Talent' Review
I could, uh, eat a peach all day

“Well, I’m one of those fortunate people who like my job, sir. Got my first chemistry set when I was seven, blew my eyebrows off, we never saw the cat again, been into it ever since.”

 

Alright folks, hold on to your hats because I am about to take you on an absurdist journey through the wild, wonderful world of Nicolas Cage and his latest movie, "The Unbearable Weight of Massive Talent".

 First things first, let me just say that this movie is peak Nicolas Cage. Yes, even more so than "Adaptation". If you're a fan of the man and his larger-than-life personality, then this movie is a must-see. It's like Cage is playing himself, but also not playing himself at the same time. Confused yet? Just wait, it gets weirder.

 The real standout of this movie, though, is Pedro Pascal. He effortlessly holds his own against Cage in every scene they share, which is no small feat considering Cage's legendary on-screen presence. They both chew the script and scenery with every frame of film they're in, and it's truly a masterclass in acting.

 Now, I know what you're thinking. "But Anus, isn't this just another cliche Hollywood movie with tired plot threads and stereotypical characters?" And you know what? You're not wrong. But somehow, this movie manages to surprise you. The more you appreciate filmmaking and acting, the more you'll love it. It's a satire of the entire Hollywood machine but still manages to have some genuinely well-crafted dramatic moments.

 Without giving too much away, let me just say that this movie goes in a lot of the directions you'd expect based on the previews. But the journey it takes you on is so satisfying that you won't even mind. There are some key plot points that will sneak up on you when you least expect them and trust me, you don't want to spoil those surprises.

 But let's be real, you're not watching this movie for the plot. You're watching it for Nicolas Cage being Nicolas Cage. And boy, does he deliver. I spent most of the movie laughing, even at jokes that in any other context would fall flat. But Cage's sheer charisma sells every line of dialogue, every scene, every twist, and every turn.

 If you're already a fan of Cage and his shenanigans, then this movie was made for you. But even if you're not, it's so good that it might just make you a fan. And trust me, once you fall down the rabbit hole of Cage's filmography, there's no turning back.

 In conclusion, "The Unbearable Weight of Massive Talent" is a wild, hilarious ride that only Nicolas Cage could have pulled off. It's a must-see for any fan of the man himself, and a great introduction for anyone who's new to the Cage craze. So grab some popcorn, settle in, and get ready to experience the madness.

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Remnant: From the Ashes
Bullshit: From the Assholes

Today we're gonna dive into the nitty-gritty of Remnant From the Ashes, the action-packed video game that will leave you both ecstatic and questioning your sanity.

Picture this: a small community space filled with rusty metal and moldy skids, where inhabitants trade scrap for items and services to the adventurers. It's a dog-eat-dog world out there, where cold hard iron is the currency of choice, used to enhance weapons of destruction and armor of salvation. And in the midst of it all, three fearless adventurers embark on a journey that will test their mettle.

After several minutes of preparation, our heroes gather around a giant red crystal in the central hub, placing their hands on it and instantly being transported back to a decaying world they had earlier left behind. The stage is set, and the action begins.

As they make their way towards their destination, a giant root dragon swoops down and lands, roaring and spewing flame and acrid smoke everywhere. The survivors scatter for cover, but not our hero. He approaches the beast from its flank, blasting away with his shotgun, while the group's hunter dives through the window of a broken-down building and a former cultist who had recently joined the squad begins hammering the beast's glowing chest with coach gun blasts.

A true symphony of destruction fills the arena - gunshots, crumbling rock and debris, monstrous roars, fire crackling - it's all happening at once. But the battle is far from over. Our hero gets knocked down, and the cultist tries to revive him, but the boss’s minions keep spawning in and interrupting the long process, causing him to flee only to be caught in another fire blast knocking him down as well.

The final survivor thins the minions and rolls back and forth trying to revive the fallen comrades, but keeps getting staggered or attacked until finally, they are defeated. This process repeats itself twenty times, each time our heroes become more outmatched than the last. But they don't give up.

Eventually, the cultist leaves, and it's just our hero and the hunter. They use consumables, they keep their distance, they close the gap, and focus on the boss and minions. Nothing seems to work, but they don't give up. And then it happens - they soak enough damage, kill just the right amount of minions, move just right, avoid just the right attacks, and finally, the dragon is slain.

It's an epic victory, and our heroes are exhausted but greatly satisfied. This is what kept our hero playing Remnant, even when it was crushing him into dust - the pursuit of these victories against foes he was not meant to be a match for. But after 40 hours of this, he was left with a mixed bag of feelings about the game - was it genius or short bus?

Remnant is a ‘souls-like’ game that basically answers the what-if “Dark Souls but with guns”.  Let me tell you, it definitely delivers on that front. The controls and combat system are flawless, taking cues from Dark Souls and adding a satisfying emphasis on ranged combat.

However, the game seems to suffer from an identity crisis. It tries to be like Diablo or Borderlands with its randomized loot and rogue-like maps, but the implementation of these features feels half-baked and out of place. The game's key equipment upgrades are mainly tied to killing bosses, finishing quests and dungeons, or killing bosses again. This design choice feels like a missed opportunity to fully explore the potential of the game's randomized loot and map system.

 It's a classic case of jack of all trades, master of none. The game excels at the core gameplay mechanics, but other features feel tacked on or poorly executed. Despite these shortcomings, I found myself drawn to the game's epic battles against powerful bosses and the sense of satisfaction that comes from overcoming overwhelming odds.

 Overall, Remnant from the Ashes is a solid game that excels at what it sets out to do: provide a Dark Souls-like experience with a focus on ranged combat. However, the additional features feel half-baked and don't fully explore the game's potential.

Remnant From the Ashes offers a fantastic gameplay loop that takes players through a post-apocalyptic world filled with tribal desert dwellings and cityscapes. Fans of games like Borderlands and Fallout will definitely enjoy the setting and atmosphere. In fact, the game is reminiscent of Hellgate: London with its randomized level design, aesthetically pleasing environment, and monster designs.

 However, the game's boss encounters are where the gameplay falls apart. Each boss encounter is either poorly executed, a minor inconvenience, or an unfair mess. One early boss encounter involves fighting against a boss that splits into multiple copies of itself. Every quarter of its health, it splits into another instance of itself. While they all share the same health bar, the bosses aggressively attack with melee, ranged, or AOE spam-able attacks that stagger and prevent healing. Additionally, any instance of the boss not attacking is hiding behind the horde and healing the boss, making it impossible to keep up with them all.

 The design choices of the boss encounter to make them feel like they are intentionally stacked with unfair elements to give the illusion of difficulty. Even after hours of trying to beat a boss, the only way to win was to focus on dealing damage as fast as possible and finishing with one health point left. 80% of the boss encounters in the game are like this, making it difficult to find a boss that is both fun and challenging. Ultimately, the boss encounters can make or break a player's opinion of the game. The question remains, are you and your friends up for the challenge of fighting against bosses that cheat?

When it comes to performance, Remnant from the Ashes on the Nintendo Switch is a mixed bag. On the one hand, I didn't experience any game-breaking bugs or crashes during my playthrough. Kudos to the devs for delivering a relatively stable experience. However, it's clear that some compromises had to be made to get this game running on the Switch.

 The frame rate is stable, but it's evident that some animations were sacrificed in the transition from 60 to 30 FPS. The textures are low resolution both in handheld and TV mode, which can be a bit of a downer if you're used to playing on other platforms. But the real kick in the pants is the screen tearing. Holy mother of god, it's like watching an earthquake in action every time you pan the camera horizontally.

 Despite all this, I have to say that Remnant from the Ashes is still one of the better Switch ports out there. Sure, there are some noticeable drawbacks, but they don't detract from the overall experience too much. And let's be honest, if you're playing on a Switch, you know what you're getting into. All things considered, the sacrifices made to get this game running on the platform are acceptable and don't detract from the overall experience.

In conclusion, Remnant from the Ashes is a game that hits all the right notes when it comes to gameplay but lacks an identity of its own. While I thoroughly enjoyed playing the game, the boss fights were a massive roadblock that left me feeling like I was banging my head against a wall of bullshit. The story was forgettable at best, and the game's design felt like a hodgepodge of elements from other popular games. However, if you're looking for a good third-person shooter or a soul-like experience, this game is worth the price of admission. Despite its flaws, Remnant From the Ashes receives the Anus Seal of Approval, or in simpler terms, a rating of Hot Shit.

 

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02/08/23 Hearing summery and transcript
Anti-Me Regalia

The transcript is from a court hearing regarding a request for a clarification about a restraining order and visitation rights of a child. Mr. Ralph, the father, complied with the conditions set in the order, including attending anger management. He requested permission to take personal photos of his son during visitations, but the mother disagreed. The judge sought to clarify whether the provision prohibiting posting photos online also covers allowing a third party to post them. Mr. Ralph agreed not to share the photos digitally or allow a third party to post them. The discussion centered on whether Mr. Ralph could take photos of his son during visitation and the conditions under which he could share them.

 

Faith has concerns about Ralph's past behavior and is hesitant to allow him to take pictures of their son. The judge suggests a compromise where Ralph is allowed to take a limited number of pictures during supervised visits, which Faith accepts. There is also a discussion about Ralph's mailing address, as he is living in Mexico and Faith is not comfortable without a way to send legal documents. Finally, the judge suggests that Ralph's attorney can accept service on his behalf. Ralph tries to interject and defend himself but is repeatedly told to be quiet by his attorney.

 

There was also a disagreement about the child's clothing, with the father objecting to the mother dressing the child in clothing with anti-him messages. The judge clarified that the child should not be dressed in any clothing with a particular statement on it during visitation, and all parties agreed to this. The next court hearing date is scheduled for March 17th at 9 AM for a case with multiple witnesses. Ethan Ralph is out of the country and will be allowed to appear via Zoom. The visitation schedule for the defendant is also discussed and will resume. Amanda Ralph who is also residing in Mexico will also be allowed to appear via Zoom. The hearing ends with the defendant apologizing for being loud during the hearing.



Judge: Faith Vickers, is she on Zoom.

Granger: Yes, both Mr. Ralph and Ms. Vickers are appearing on Zoom

Judge: Okay, and this is FL21-016680. Ms. Vickers, can you hear me? Will you respond?

Faith: Yes, your Honor, I can hear you.

Judge: Thank you. And Mr. Ralph, can you hear me?

Ralph: Uh, I can, your honor, can you hear me?

Judge: Yes, I just want to make sure that…

Ralph: yes, of course, I do this for a living I know ‘cause yeah you can hear me 

thank you go ahead.

Judge: Alright, and this is docket FL21-016680. There appears to be an issue, they are asking 

about a clarification. So let me just pull up my file. Give me one second. 

Ralph: Sure.

Judge: And is that on the restraining order. Is that what we’re looking at today?

Granger: Your Honor, it’s uh, I…I filed a Request for Order to allow…regarding the visitation. 

So…

Judge: Okay, so Mr. Ralph has an order for supervised visitation…

Granger: And I wanted a clarification for that. 

Judge: So let me just……so…so I’m looking at the restraining order 

from March 2nd, 2022 according to my notes and there is also a stipulation…

Granger: Yes…

Judge: An agreement filed, uhm, September 12th, 2022.

Granger: Yes.

Judge: Perfect. And I see that…okay, I have that before me. So which provision is it we’re 

looking at?

Granger: Well, there was no…there was no, uh, there was no provision regarding that…so Mr. 

Ralph has complied with all the conditions or the order regarding the visitation, so he’s 

attended the anger management and uh, he’s…you know…etcetera etcetera…you know 

um…paragraph 16, both parties shall refrain…oh wait, excuse me…oh, yes, 16. At the last 

sentence, father is to refrain from posting pictures of the child online, or, hold on…so it’s page 2 

of the stip.

Judge: Okay

Granger: Yes, so Father agrees to refrain from posting pictures of the child online, but he wants 

to take photos of his son during the visitations just for his personal viewing. Um, that was not 

banned in the stipulation, but mother does not agree, but father wanted to come back to court 

to ask the court to make that an order that he be allowed to take photos of his son Xander but 

he agrees to not post them online.

Judge: And my question is, does this cover more than him? That he physically would not cause 

to happen but that he would not allow an agent of his, somebody…in other words, I don’t want 

him to be prohibited from posting but then tell you to go ahead and post them.

Granger: I think father would have to agree to that…

Ralph: I would agree. No offense, I didn’t want to interrupt, I would readily 

agree to no agent of mine or anyone on my behalf or anybody besides me even having the 

pictures you know I just want to show them to my uncle show my few family that are left most 

of my family unfortunately passed away and so uh it’s kind of nice to have a picture of my son 

and also just to remember him by I live across the globe and I fly in and see him whenever I can 

you know every other month or whatever it is, uh and so yea it kinda you know that’s that’s my 

reasoning behind it but yeah I would readily agree to no third agent, uhm, posting it as well.

Judge: And…

Ralph: And they’ll be taken at the center

Granger: The problem is that you have to agree not to share 

them, because if you share them then you don’t necessarily have control…

Ralph: Well, if I have to absolutely agree not to share the photos if that’s 

what the stipulation is, I’m fine with that. When I meant share them I didn’t mean like send 

them to my uncle or whatever, I meant like I’m in the house and I say here’s my son

an invisible phone in his hand to the camera to demonstrate> you know, of him not like send 

him the file documents but yeah I understand what’s been said but really it’s mostly I don’t get 

to see my son that much. I didn’t get to see him for well over a year after his birth and uhhhh, 

just now getting to know him basically uh and yea I, I would really think that…

Granger: Well, I think it’s…if we had an agreement that you weren’t…you didn’t share the file 

digitally online, that would solve the problem.

Judge: Yeah, he could show them, but not allow people to photograph them or otherwise…

Ralph: Right.

Judge: …keep a copy of the photo. But, he may visually allow people to enjoy it. But not copy it. 

Or disseminate it.

 

Judge: Yes?

Faith: Sorry, I just want to speak here. 

Judge: Yes.

Faith: Um, the reason why photos are an issue right now is because the visitation itself, Parent

Time, in uh, um, Loomis has a rule that both parties uh, or both parents have to consent to 

photos being taken. I do not wish to consent to this for a number of reasons that I can share 

with you if you’d like. Um, but that is my reasoning why I didn’t’ want to consent to photos 

being taken. I understand…

Judge: Why don’t you share your reasons.

Faith:

Granger: to clarify, I make if there was a court order the facility would, the issue is there wasn’t 

a court order so the facility wanted the parties to come to a mutual agreement, which Ms. 

Vickers for the reasons that she’s just going to state wouldn’t do. I just wanted to make that 

prior clarification.

Judge: Yes.

Faith: Um, so, there is a history between me and Mr. Ralph where he has a past of uploading 

private material whether it be through other parties or even without any intention of his own, 

sharing with other people that has been made public, um, he’s convicted of dissemination of 

images or more commonly known as Revenge Porn against me, and there have been previous 

issues of my son being uploaded online by Mr. Ralph himself and third parties…

Ralph: That’s not true.

Faith: …that does not make me feel comfortable…

Ralph: That’s not true.

Faith: …consenting to…

Judge: Hold on. do not argue with one another. I’m just hearing her statement.

Ralph: Can I have a statement afterwards to respond to this? Because:

Granger: Mr. Ralph! Hold on. You have an attorney, so just please be quiet until asked 

to speak, okay?

Faith: I’m sorry, your honor, but those are my reasons and I do have a line of questioning for 

Mr. Ralph if I can ask those when you’re ready, as I did subpoena him through his attorney.

Judge: This is not the date for the hearing. If you need a hearing on this, that’s fine. If we’re just 

going to do it listening to the moving papers and arguments, then I would do that today. 

Faith: Okay.

Judge: And I’m just going to throw out one settlement thing and that is um, that Mr. Ralph 

would periodically be allowed to take photos at parenting time. You would have an opportunity 

to review those before he was allowed to keep them. I’m not sure how practically that would 

happen, but you might have someone take a picture of him holding his son or playing with his 

son at Parenting Time. We could limit the pictures to like, three and have them reviewed for 

appropriateness by someone at Parenting Time and by you, and you would be allowed to 

maintain those. But he is not to disseminate them and he is not to publish them uh to other 

people to disseminate. 

Faith: Okay, that does seem like a fair compromise to me.

Judge: It would need some wording, but are you both sorta okay with that?

Ralph: Okay but I would still like to respond to some of what was said…

Granger: NO!

Ralph: I’m gonna resist. I’m gonna resist. In the interest of just like let’s keeping it, you know, 

let’s keep it above board because I feel like a lot of stuff was misrepresented, uh, in that last 

paragraph. 

Granger: Ok, Mr. Ralph, we’re really just here about visiting your son. Okay, so…

Ralph: I understand, I understand, I’m just saying it’s, it’s tough to hear that and 

then not get to say anything okay but I agree and I take that as that’s all I wanted was a chance 

to have some pictures with my son to you know remember him by so I feel like that’s a win for 

me so I don’t have any problem with that at all.

Judge: And, okay, and by “appropriateness” I’m going to let the parties work on defining that. 

That would be the son being fully clothes being engaged in appropriate childhood play…

Ralph: Like yeah, just playing around.

Judge: No bathroom pictures.

Ralph: No. No. No.

Judge: The photos are to be taken during supervised visitation.

Ralph: By the way, there’s reports on the supervised visitation and they both say they went well 

and even, you know, Faith here, admits that in her court filings that those supervised visitations 

went well for both parties. She said that in her court filings so…

Judge: So Mr. Ralph is visiting how often right now?

Granger: Mr. Ralph hasn’t been visiting since…

Faith: October

Granger: October

Ralph: Since we had this dispute…yeah.

Granger: The order is for, up to, two times a month.

Judge: Right

Ralph: Yeah, it’s two times, two days, per month and I was 

gonna combine a three-day visit in November but then we got into this dispute and I just 

decided that it would be better to settle it in the court early on because it is kinda important to 

me honestly that I don’t get to see him as much as she does…you know…

Granger: Mr. Raph! Mr. Ralph! That’s enough, okay? Be quiet. Another issue was that he had 

agreed that he would provide her with his mailing address. But he’s now not living in the United 

States. He’s moving around. Since it’s supervised visitation only we would ask that that 

particular term be deleted.

Faith: Um, sorry, um I would not feel comfortable with that just because considering again, Mr. 

Ralph’s past in avoiding service and things like that. I don’t feel comfortable not having a way to 

send legal documents and things like that. The last address he gave me he did not have 

permission to use apparently, as I have come to learn, so I don’t feel comfortable with that.

Ralph: Wait, what? Sorry, I didn’t hear the last part of what she said if someone else wants to 

repeat it. But yeah, I live in Mexico…

Granger: Mr. Ralph. Mr. Ralph. Could you please just be quiet. That’s kinda the problem with 

Zoom. Okay. But you need to please be quiet at the moment.

Judge: So, Ms. Granger, as long as you are retained to represent him would you accept service 

on his behalf in lieu of a mailing address provided by him? 

Granger: As long as I’m retained to represent him, yes. 

Judge: And Mr. Ralph, if for some reason Ms. Granger substitutes out and you are without 

council as part of that substitution you would have to provide a mailing address for service 

purposes as well as your physical location by city and country. 

Ralph: Uh, I don’t feel comfortable giving her and her father my physical address especially 

because they’ve given it away online before and caused me swattings and had people attack 

me at my house and had all kinds of things happen to me and they’ve drummed up a hate mob 

against me online and that’s why I don’t feel comfortable with them having my address it’s not 

me trying to you know give flack to the court right like this is a real issues that’s actually 

happened to me right but…

Granger: Mr. Ralph would you agree to provide an address?

Faith: Your honor there is not evidence to justify anything that Mr. Ralph has said. I have 

personally never posted any of his private information and I will agree on paper to never share 

private information regarding addresses. 

Granger: Ok. I think the problem would be solved if you could provide an address where you 

could be served.

Ralph: I can provide a PO Box. 

Faith: From what I understand a PO Box cannot be proper service.

 

Faith: I’m not entirely sure myself.

Ralph: *inaudible* not even trying to hide from service.

Judge: Hold on. One at a time.

Faith: Sorry, your honor. Again, that’s just my understanding, I’m not entirely sure. Um, but yes, 

if it’s just an address for service, I’m okay with that. Again, it just needs to be a mailing address. 

Judge: There would be a stipulation that he provide an address for service?

Faith: Yes.

Ralph: Mailing address. 

Granger: Are you okay with that, Mr. Ralph?

Ralph: Mailing address, yes. 

Granger: Okay. 

Judge: And Ms. Vickers, generally when council is retained you would be providing council with 

any of that whatever you were serving and you would see if they would accept service at that 

time. 

Granger: And we have been in communication about that and she has, we have figured that 

out.

Faith: Yeah. 

Judge: Okay, so I believe we’ve done that.

Granger: Okay, so we have an agreement there, and I’ll prepare the findings and order after 

hearing regarding the photos during the visit and the address for service. 

Judge: Okay, and I would like to, just to reiterate, to define for whatever supervised visitation 

center it is, to take up to 3 photographs that the facility may review those for appropriateness, 

um, that the child is fully clothed and engaged in play or interacting with father does not 

contain anything where the child is changing diapers, going to the bathroom uh, running 

around nude or anything else that little kids might do. So, it would be something that would be 

later embarrassing to the child. 

Faith: Can I have a bit more…

Ralph: I want to ask something your honor. She has actually dressed my 

child…our child…in memes meant to insult me, uh, corn memes she sent him dressed like that 

to the uh…

Judge: She what?

Ralph: yeah I know it’s hard to explain, but she’s used internet memes in order to try and troll 

me by dressing my son in basically anti-me regalia. And I would ask that that be disallowed by 

the court and that she be admonished quite frankly.

Faith: Uh, your honor, the outfit that he is referring to is a onesie is a corn graphic that says 

“Awe Shucks.”

Ralph: And you know good and well there’s a whole corn *inaudible* on Kiwifarms that you 

stoked, you know exactly what I’m talking about.

Judge: I’m not sure going on…

Ralph: I would ask that she be…

Granger: Mr. Ralph. Mr. Ralph. We’re kinda getting out in the weeds a little bit. We’re not here 

today for that purpose.

Faith: But, before, I was going to ask for clarification with the photos.

*Lots of background noise from other parties. Judge stops everyone to sort it out*

Judge: Go ahead mother, again, Ms. Vickers.

Faith: Sorry, that I was just asking for clarification when it came to the photos, just that I was 

able to review them um, after they were taken, um, that’s the only thing I was asking 

clarification for.

Judge: I think that’s...I think what…I think that gets kinda cumbersome.

Faith: Okay. 

Judge: I’d like to just define it enough that and you can give Ms. Granger your input to provide 

any other strictures, okay?

Faith: Okay. Thank you.

Ralph: Well, your honor…

Granger: Wait! Wait!

Granger: I think we…I think I…

Ralph: it says I have to get the photos like, what if she just says…

Granger: Ethan! Ethan! Please, be quiet right now. I think the facility was going to approve for 

appropriateness. 

Ralph: Okay. Okay. 

Judge: He’s going to take them and before he leaves if there’s one they feel is inappropriate, 

that might embarrass the child down the line that he would delete it in front of them before he 

left, so it’s instant. 

Ralph: Okay, okay. I agree. 

Faith: Okay, thank you for that clarification. 

Granger: Okay. I’m confident that none of the photos will be inappropriate but we’ll have this 

language in there…

Ralph: Yes, I agree, I think it makes sense. Yeah…you’re right. 

Judge: There should be one more that no one should dress the child during visitation or any 

visitation that has any particular statement on his clothing. 

Ralph: Thank you for that. 

Judge: Just something like blue jeans and a red tee shirt and I think we’re okay.

Ralph: I think we’re okay, thank you for that, your honor. 

Judge: And that would mean mother doesn’t bring him in anything, father doesn’t add or 

subtract anything or change anything.

Faith: Okay, I was just asking because that might be a little confusing because I’m not quite sure 

what he’s referencing when it comes to…

Ralph: *mumbles incoherently*

Faith: I’m just confused to what images aren’t allowed so it can be clarified in the stipulation 

and the reasoning for it so that way I have just a guideline what I can and can’t…

Judge: No tee shirt that has sayings on it.

Faith: Okay, so no graphic designs.

Judge: Right.

Faith: Okay. Thank you.

Judge: And that’s either way.

Ralph: So just a regular tee shirt, a solid colored tee shirt, just solid 

colored clothes, yes. Thank you for that, your honor.

Faith: Okay. Thank you.

Judge: I’m not going to pick the color, okay.

Ralph: Right, yeah that’s too much.

Judge: Sounds like jail. Okay?

Granger: Okay.

Judge: I think we got all of those for the clarification. There’s also an order to show cause for 

contempt, I believe. 

Granger: Yes. That’s Ms. Vickers’

Judge: Ms. Vickers has brought that and I believe this is the date and time that is set for the 

arraignment for that.

Faith: Yes.

Judge: And, did you receive a copy of that?

Granger: I did, and I filed a response.

Judge: Okay, and is time waived for the hearing?

Granger: Yes.

Judge: Okay, so give me a time estimate for the hearing.

Granger: Uhm, I would say, how many witnesses do you have, Ms. Vickers?

Faith: So far I have two witnesses I need to question and two declarations I’ve filed from 

witnesses. 

Granger: Okay, well the witnesses are going to have to testify, you can’t just rely on the 

declaration.

Faith: Sorry, I meant I have two to question, yes. 

Granger: So you have 4 witnesses or 2 witnesses?

Faith: Two witnesses.

Faith: Oh, I’m sorry. Four. Four witnesses.

Ralph: I don’t believe I’m supposed to testify in this hearing…I’m not sure, is that on record…?

Granger: Mr. Ralph, we can talk about this later. 

Ralph: Okay. Okay. Okay.

Granger: So, we have a couple of witnesses, so I’d say, 3 hours.

Judge: Okay, so would you like it sometime in March?

Granger: Uhm, that will be fine.

Judge: It looks like March 11th is available. March 17th is available. 

Granger: March 17th, in the morning?

Judge: It would be in the morning, yes.

Granger: Okay, if we can have that date, please.

Judge: Okay. Ms. Vickers, will that work for you?

Faith: Uh, yes. That will work for me.

Judge: Okay, so March 17, at 9AM. I’m going to give it a half day setting.

Granger: And I’m sorry, Mr. Ralph, are you available March 17th? 

Ralph: Uuuuhhhhmmm, lemme look and make sure, I should, you know I should be, I kinda set 

my own schedule, that’s a Friday yeah I’m available I’m…let’s just do it. 

Granger: And then, will he be allowed to appear by Zoom? 

Judge: I have no objection to that. I understand that he’s out of the country.

Ralph: I’m a resident of, of Mexico. And actual resident of the country of Mexico so…

Judge: So would you note that? That I’ve given him specific permission to do that. He 

does need to appear visually, not by phone.

Ralph: Sure. Right. Now in the interim we can go ahead and restart visits and stuff right. 

Granger: Your visitation hasn’t changed. 

Ralph: Right, I mean, we can, you know…

Granger: Yes. Yes. Resume the visitation.

Ralph: Okay, good. That’s great news.

Granger: And then we have another one, your Honor, Amanda Morris, who is also residing in 

Mexico. Can she appear by Zoom, too.

Judge: Yes, as long as it’s visual communication.

Ralph: Yeah. Okay. She had a declaration y’know.

Judge: Okay. Thank you. And Ms. Granger if you would prepare the *inaudible* for today.

Granger: I will. 

Faith: Thank you, your honor.

Ralph: Thank you your honor, also I just want to apologize for any uh I know I’m loud I’m used 

to a studio setup you know the Zoom kinda projects in loud to the courtroom so I’m sorry if I 

was overpowering sometimes with my voice.

Judge: That’s alright. 

Ralph: yea so I apologize anyway so…thank you. Have a good one.

Judge: Thank you. 

Ralph: alright, bye bye.

 

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